Here is my contribution to the lovely limited edition book produced by David B.Smith Gallery for Gregory Euclide. Some copies are still available at the gallery. 13 x 9 inch landscape | 96 pages, 119 color images | pencil signed and numbered by Euclide | hardcover edition of 500 Written contributions from Michael Chavez, Michael…
Specific Environments: The Landscape as Metaphor was conceived as the dynamism of visual forces, unearthing art that is actionable, and objects that ask the viewer to step away from the obvious and move toward the enigmatic, yet not arcane. The goal was to bring together artists whose works are not merely handmade copies of nature, but who use landscape, nature, and the land to enter into a discourse of contemporary issues of our time: environmental degradation, consumption, myth, memory, and perception, and the intersection of technology and terrain, both internal and external.
Gregory Euclide is an outsider. An observer. Whether walking in the woods, or driving across country, he pays attention to the minutiae. Important details become part of his art. Since his last solo exhibition at David B. Smith Gallery, his work has branched out into objects that are similar yet diverse. Heʼs created large installations for New Yorkʼs Museum of Arts and Design and Denverʼs Biennial of the Americas. He also produced an album cover for Bon Iver, has been featured at the PULSE Art Fair, and continues to broaden his studio practice creating 3-dimensional works on paper, sculpture, captures, and video. Euclide is pushing the boundaries of the way he thinks about the land, and how itʼs used.
Everything you wanted to know about the Biennial of the Americas and more happening in Denver this summer.
Gregory Euclide featured on the cover of Art Ltd. eco issue. Article by Leanne Goebel.