Category: Denver
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Best of 2011: Clyfford Still in Denver, De Kooning at MoMA from adobeairstream.com
On November 22, I visited the newly opened Clyfford Still museum in Denver, which for the first time presented the artist’s work as it developed, in stages, visually highlighting how Still got from landscapes and figures to abstraction. A few days later I was in New York taking in the Willem De Kooning retrospective at…
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Ricky Allman at David B. Smith Gallery Exhibition Essay
Ricky Allman Surface flaws render light reflections unreliable Ricky Allmanʼs paintings on view in this exhibition at David B. Smith gallery are neither dystopian or utopian—they fall somewhere in the middle—dark, yet hopeful. The series seems cavernous, as if Allman has gone underground to secret bunkers, perhaps the abandoned silver mine beneath Area 51 or…
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Specific Environments: The Landscape as Metaphor
Specific Environments: The Landscape as Metaphor was conceived as the dynamism of visual forces, unearthing art that is actionable, and objects that ask the viewer to step away from the obvious and move toward the enigmatic, yet not arcane. The goal was to bring together artists whose works are not merely handmade copies of nature,…
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Clyfford Still: Part Menace and Yes, Part Majesty from adobeairstream.com
But the question remains, though, once the school field trips come and go, and the novelty of the new wears off, will this museum with its $10 admission price be appealing to a public with a millisecond attention span more interested in snapping photos with their smartphones than actually spending a sustained time looking at…
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Exhibition Essay for Kim Keever at David B. Smith Gallery
Kim Keever creates landscapes that are mesmerizing. The viewer stops, ponders, frozen in her tracks. Where is it? What is it? Have I been there? Will I go there? Itʼs familiar, yet strange. Real, yet an apparition. A Kim Keever photograph is prehistory and post history, the epoch and the apocalypse.
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Peter Plagens at Rule Gallery from adobeairstream.com
Explosions of color are presented in the solo-exhibition of collage paintings by Peter Plagens at Rule Gallery. Vivid color seeps into the paper, full chroma jars the eyes in staggering layers, there is depth, contradiction and spontaneity in the color, packed in relatively small frames. The largest paintings are 24 x 18 inches the smallest…



