Category: Art Criticism
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Visual Extirpation in the Paintings of Armin Muhsam
There is a visual mystery to the sparse landscapes painted by Armin Mühsam. The works are austere, yet achingly beautiful, capturing the light and shadows of what might be America or a place entirely fictive. Some paintings feature landscapes with odd industrial objects, structural forms, mechanical or concrete foundations, tanks or overpasses without visible human…
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ALOTTATHISALOTTATHAT – Art Intersecting “Innovation” and Equaling Nothing from adobeairstream.com
Described as “part freestyle musical theater, part dessert reception,” the Museum of Contemporary Art Denver created a special event for participants of the Colorado Innovation Network (COIN) Summit, held in Denver at the Art Museum August 29-30. Adam Lerner, who sits on the board of COIN and his MCA creative team put together ALOTTATHISALOTTATHAT to show…
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Ricky Allman – “I’ll Capitulate if you Succumb” – Marine Contemporary
I was privileged to be acknowledged in Marine Contemporary‘s catalog for Ricky Allman’s recent exhibition. The show–(with a terrific title)–“I’ll Capitulate if you Succumb,” was Allman’s first solo exhibition with the gallery and ran from June 30-August 11, 2012. The 40-page catalog features an essay by Claressinka Anderson with special thanks to Leanne Goebel for…
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Working in Mysterious Ways, “Continental Drift” Spotlights Contemporary Coloradans from adobeairstream.com
On June 30, 2011 I received a request for proposals and call to artists from Nora Burnett Abrams, associate curator at MCA/Denver, for a joint Colorado exhibition to be held at MCA and the Aspen Art Museum that is now under way. Artists were asked to submit their CV, a 250-word artist statement and up…
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Filmmaker Stan Brakhage Inspires “Visual Rhythm” at BMOCA from adobeairstream.com
Visual Rhythm at the Boulder Museum of Contemporary Art (BMOCA) eases viewers into the world of experimental film, video and digital art—an experience that can be immersive. The exhibition links recent directions in new media art to earlier artistic explorations—primarily those of experimental filmmaker Stan Brakhage (1933-2003). Brakhage is considered to be one of the most…
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Phenomenal: Light Maestro James Turrell Paired with Colorado Sculptor Scott Johnson from adobeairstream.com
Trace Elements: Light Into Space by James Turrell pairs the internationally known light-and-space artist with Colorado College professor and sculptor Scott Johnson, at the Colorado Springs Fine Art Center. Both artists work with light to create perception, and to compel viewers to think critically about what it is they perceive. Johnson’s works comprise a high degree of…
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Men of God, Men of Nature Makes Denver Art Museum A Mecca from adobeairstream.com
The Fuse Box Gallery on level four of the Denver Art Museum’s Hamilton Building is all angles with slanted walls and sloping ceiling, as designed by architect Daniel Libeskind. A walk-through installation conceived by artist Laleh Mehran interacts with Libeskind’s angles by placing a large, black, acrylic cube near the far end of the long,…
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Abstract Angus – Theodore Waddell at Denver Art Museum from adobeairstream.com
Theodore Waddell arrived in New York to study at the Brooklyn Museum Art School in the early 1960s, a decade after abstract expressionists like Jackson Pollock, Clyfford Still and Robert Motherwell began changing the art world. Artists of Waddell’s generation, 10 years into AbEx’s reach and ahead of pop, were either reacting against the theories…
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Remotely Sensing William Betts (at Plus Gallery in Denver) from adobeairstream.com
William Betts is getting noticed. At least that’s what a recent announcement in Artdaily.org tells readers. Betts is a Houston-based artist who paints using a complex painting machine and proprietary software designed by the artist. He is represented by Richard Levy Gallery in Albuquerque, which reported to Artdaily that they sold out of all of Betts…
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Silencing my Linear Self: Richard Tuttle on the Spiritual in Contemporary Art from adobeairstream.com
Rational thought is overrated. Structured. Ordered. Sequential. Converging to find that one right answer. This was not the process shared by the artist Richard Tuttle during his Logan Lecture at the Denver Art Museum in March. Some would not define it as a lecture or a talk, but instead the ramblings of a non-linear thinker.…
Leanne Goebel 