What is asked of me as an art writer and critic today, is not why I became an art writer and critic. In this time of great transition in media, art and business, there are more media venues than ever filled with everything from drivel to genius. More and more people are writing about art…
When I first read Ray Mark Rinaldi’s review of “The Transit of Venus” exhibition at RedLine, I was astonished at the biased perspective of this major voice for art in Denver. He labeled the show “the girliest art exhibit . . . ever seen in Colorado.” But, to be fair, his first sentence, “At the risk…
john mcEnroe by leanne haase goebel Mar 2013 An abandoned mining area above the town of Ward, Colorado, inspired John McEnroe’s most recent body of work, Half Life, currently on view at Robischon Gallery in Denver, in a solo show thematically connected with four other artist’s solo shows, under the curatorial title: “Object | Nature.”…
This piece was recently picked up by ArtsJournal. Last September, I was invited as guest art critic to give an update on the status of art criticism in the digital age to the Art Student’s League of Denver. (Fellow panelists were Denver dealer Ivar Zeile and artist/blogger Theresa Anderson.) In the past seven years more than…
Dana Schutz’s work was recently featured in two Denver museums. A 10-year survey, Dana Schutz: If the Face Had Wheels was on view at the Denver Art Museum while in conjunction Dana Schutz: Works on Paper was presented at the Museum of Contemporary Art. Schutz’s bright works have been compared to ones by John Currin,…
In 2008, the Denver Art Museum commissioned El Anatsui to create Rain Has No Father?, a metal sculpture tapestry created from found liquor bottle tops and copper wire. The artwork debuted in 2010 as part of Embrace! a site-specific exhibition that celebrated the unique (and controversial) architecture of the Daniel Libeskind designed Hamilton Building. The…
Looking back over the year that was 2012 what strikes me is the resiliency and determination of artists, makers and creators to continue doing what matters, what has meaning and follow (for lack of a less clichéd word) their passion. While Colorado seemed to spin out of control with tragic forest fires and horrific shootings…
The image is horrific. Dozens of men lie dead in a barren, muddy landscape. A silver, snow-filled trench winds off into the distance and dark clouds texturize the sky above. A woman in a heavy coat wails over a body in the foreground. Another women to the left is bent over, head hanging, body curling…
Lordy Rodriquez is the living definition of an American. Born in the Philippines, raised in Texas and now living in California, the artist began his artistic exploration into the language of cartography as an undergraduate by reconstructing the States of America via maps. Albeit, maps that were condensed, reshaped and revised based upon his experience…
William Stoehr’s paintings of women’s faces are Amazonian. The canvases on view in ICONS at Space Gallery are seven feet tall. It’s as if the women are staring into your soul with their large, basketball-sized eyes positioned at eye-level for the average human viewer. Laine, Destiny and Priscila all come to life in metallic acrylic…
Leanne Goebel 