MCA Denver, Exploring the CounterCulture (West Coast Style) from adobeairstream.com
The counterculture movement was in essence a western phenomenon. That’s the premise of West of Center: Art and the Counterculture Experiment in America, 1965-1977, a book and exhibition currently on view at the Museum of Contemporary Art in Denver. Yes, significant moments played out at Woodstock and in Greenwich Village, but the American West allowed … Read more
Best of 2011: Clyfford Still in Denver, De Kooning at MoMA from adobeairstream.com
On November 22, I visited the newly opened Clyfford Still museum in Denver, which for the first time presented the artist’s work as it developed, in stages, visually highlighting how Still got from landscapes and figures to abstraction. A few days later I was in New York taking in the Willem De Kooning retrospective at … Read more
Ricky Allman at David B. Smith Gallery Exhibition Essay
Ricky Allman Surface flaws render light reflections unreliable Ricky Allmanʼs paintings on view in this exhibition at David B. Smith gallery are neither dystopian or utopian—they fall somewhere in the middle—dark, yet hopeful. The series seems cavernous, as if Allman has gone underground to secret bunkers, perhaps the abandoned silver mine beneath Area 51 or … Read more
Specific Environments: The Landscape as Metaphor
Specific Environments: The Landscape as Metaphor was conceived as the dynamism of visual forces, unearthing art that is actionable, and objects that ask the viewer to step away from the obvious and move toward the enigmatic, yet not arcane. The goal was to bring together artists whose works are not merely handmade copies of nature, but who use landscape, nature, and the land to enter into a discourse of contemporary issues of our time: environmental degradation, consumption, myth, memory, and perception, and the intersection of technology and terrain, both internal and external.
Clyfford Still: Part Menace and Yes, Part Majesty from adobeairstream.com
But the question remains, though, once the school field trips come and go, and the novelty of the new wears off, will this museum with its $10 admission price be appealing to a public with a millisecond attention span more interested in snapping photos with their smartphones than actually spending a sustained time looking at the paintings as Still wanted? With an art viewing public that can go to art fairs for a viewing hypermarket, is there a contemporary art lover capable of seeing the majesty in Clyfford Still’s vision?
Exhibition Essay for Kim Keever at David B. Smith Gallery
Kim Keever creates landscapes that are mesmerizing. The viewer stops, ponders, frozen in her tracks. Where is it? What is it? Have I been there? Will I go there? Itʼs familiar, yet strange. Real, yet an apparition. A Kim Keever photograph is prehistory and post history, the epoch and the apocalypse.











