Posted by leannegoebel on September 21, 2010 · Leave a Comment
Schuckit grew up in San Diego, went to college in Santa Cruz then moved briefly to New York before settling in San Francisco, and a thirteen-year career as a master printer at Crown Point Press. Today she lives in London, where in 2008 she completed her MA in painting at Central Saint Martins College of Art and Design.
Filed under ART, Art Criticism, arts journalism, contemporary art, Denver, Mixed media, painting, Print making · Tagged with Andy Warhol, Ann Appleby, Art Ltd. magazine, Crown Point Press, David B Smith Gallery, David Nash, Dena Schuckit, Ed Ruscha, Orange Car Crash 14 Times, Peter Doig, Richard Tuttle, Tom Marioni
Posted by leannegoebel on August 6, 2010 · Leave a Comment
Is a Titan IV Stage II rocket engine a work of art? It was designed to fly to Saturn, but never made the journey. How about a B61 Thermonuclear Bomb? According to Adam Lerner and Paul Andersen, curators of Energy Effects: Art and Artifacts from the Landscape of Glorious Excess “nuclear weapons are designed to produce fear, and thereby they are made specifically to prevent their own use.” Try telling that to the citizens of Hiroshima and Nagasaki.
Filed under ART, Art Criticism, Art Museum, arts journalism, Biennial, contemporary art, Culture, Denver, Museum, New Media · Tagged with Andy Warhol, Anne Hardy, architecture, art, Art Modern Contemporary, B61 Thermonuclear weapons, Biennial of the Americas, Biennials, Ciro Najle, Contemporary art painting, contemporary photography, Cultural criticism, Denver, Don Stinson, Fat Man Walking, Gonzalo Lebrija, Green Economy, installation art, Janine Gordon, Jeff Shore & Jon Fisher, Jim Sanborn, Kcho, Lockheed Martin, Los Alamos, Martha Russo, Maximilien Brice, MCA Denver, New Mexico Cultural Affairs, News and commentary, Orly Genger, Pablo Helguera, Paul Andersen, photography, Richard Meredith-Hardy, Science fiction, Steve Vaught, Terrestrial Physics, Titan IV rocket engine, video art, Viviane Le Courtois, Ward Shelley, Willard Wigan
Energy Effects and Objectophillia on adobeairstream.com
Posted by leannegoebel on August 6, 2010 · Leave a Comment
Is a Titan IV Stage II rocket engine a work of art? It was designed to fly to Saturn, but never made the journey. How about a B61 Thermonuclear Bomb? According to Adam Lerner and Paul Andersen, curators of Energy Effects: Art and Artifacts from the Landscape of Glorious Excess “nuclear weapons are designed to produce fear, and thereby they are made specifically to prevent their own use.” Try telling that to the citizens of Hiroshima and Nagasaki.
Filed under ART, Art Criticism, Art Museum, arts journalism, Biennial, contemporary art, Culture, Denver, Museum, New Media · Tagged with Andy Warhol, Anne Hardy, architecture, art, Art Modern Contemporary, B61 Thermonuclear weapons, Biennial of the Americas, Biennials, Ciro Najle, Contemporary art painting, contemporary photography, Cultural criticism, Denver, Don Stinson, Fat Man Walking, Gonzalo Lebrija, Green Economy, installation art, Janine Gordon, Jeff Shore & Jon Fisher, Jim Sanborn, Kcho, Lockheed Martin, Los Alamos, Martha Russo, Maximilien Brice, MCA Denver, New Mexico Cultural Affairs, News and commentary, Orly Genger, Pablo Helguera, Paul Andersen, photography, Richard Meredith-Hardy, Science fiction, Steve Vaught, Terrestrial Physics, Titan IV rocket engine, video art, Viviane Le Courtois, Ward Shelley, Willard Wigan