Mindy Bray: The Geography of Looking from adobeairstream.com
Mindy Bray’s ink and gouache works on stretched paper explore the physical and psychological experience of landscape. Images of mountain environments are reduced to fragmented fields of shape and color that resemble screenprints, and require a slow reading but an expansive awareness. The show closed yesterday at Rule Gallery in Denver, where five large paintings … Read more
Art Feasting in Santa Fe from adobeairstream.com
Place: Santa Fe. Time: A crisp winter’s evening the end of February 2012. It isn’t snowing, the air is dry, cool, as I walk around the plaza, and up on Canyon Road wearing a coat–no hat or gloves are needed. It’s pleasant. I’m with my cousins from Texas and a friend from New York. We’ve … Read more
Trine Bumiller Profile from Art Ltd. Magazine, March/April 2012
![Bumiller[PIC]](http://leannegoebel.files.wordpress.com/2012/05/bumillerpic1.jpg?w=440&h=240&crop=1 "Bumiller[PIC]")
Big Bang 2012 Oil on panels, attached 36″x 54″ Photo: courtesy Zg Gallery, Chicago Trine Bumiller’s background in printmaking is evident in her paintings: wood panels combined together like building blocks to create a composite form of square and rectangular shapes. On each panel, a different organic, flat, geometric element suggests nature or botany. The … Read more
The kinesthetic vision of blind sculptor Michael Naranjo from Arts Perspective Magazine
Sculpting is dimensional, physical, even touchable (though we rarely get to run our hands over an object). Michael Naranjo, however, encourages viewers to touch his sculptures. To caress the smooth ebony finish of his bronze figures. To detect the bark of a tree or the wings of a bird. Feeling provides meaning and allows viewers … Read more
MCA Denver, Exploring the CounterCulture (West Coast Style) from adobeairstream.com
The counterculture movement was in essence a western phenomenon. That’s the premise of West of Center: Art and the Counterculture Experiment in America, 1965-1977, a book and exhibition currently on view at the Museum of Contemporary Art in Denver. Yes, significant moments played out at Woodstock and in Greenwich Village, but the American West allowed … Read more
Pagosa Springs Exhibit Shows Off its Art from The Durango Herald
There’s no place like home for the holidays. But when home is Pagosa Springs, Colorado where people are more interested in the latest ski report, and you’re an art writer, well, home is more a place you retreat to than a place you spend a Saturday viewing art. That’s not the case thanks to Michael … Read more
Ricky Allman at David B. Smith Gallery Exhibition Essay
Ricky Allman Surface flaws render light reflections unreliable Ricky Allmanʼs paintings on view in this exhibition at David B. Smith gallery are neither dystopian or utopian—they fall somewhere in the middle—dark, yet hopeful. The series seems cavernous, as if Allman has gone underground to secret bunkers, perhaps the abandoned silver mine beneath Area 51 or … Read more
Exhibition Essay for Kim Keever at David B. Smith Gallery
Kim Keever creates landscapes that are mesmerizing. The viewer stops, ponders, frozen in her tracks. Where is it? What is it? Have I been there? Will I go there? Itʼs familiar, yet strange. Real, yet an apparition. A Kim Keever photograph is prehistory and post history, the epoch and the apocalypse.
Exhibition Essay for Gregory Euclide at David B Smith Gallery
Gregory Euclide is an outsider. An observer. Whether walking in the woods, or driving across country, he pays attention to the minutiae. Important details become part of his art. Since his last solo exhibition at David B. Smith Gallery, his work has branched out into objects that are similar yet diverse. Heʼs created large installations for New Yorkʼs Museum of Arts and Design and Denverʼs Biennial of the Americas. He also produced an album cover for Bon Iver, has been featured at the PULSE Art Fair, and continues to broaden his studio practice creating 3-dimensional works on paper, sculpture, captures, and video. Euclide is pushing the boundaries of the way he thinks about the land, and how itʼs used.
Peter Plagens at Rule Gallery from adobeairstream.com
Explosions of color are presented in the solo-exhibition of collage paintings by Peter Plagens at Rule Gallery. Vivid color seeps into the paper, full chroma jars the eyes in staggering layers, there is depth, contradiction and spontaneity in the color, packed in relatively small frames. The largest paintings are 24 x 18 inches the smallest … Read more
