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Archive for October, 2009

Recent artist spotlights from Cowboys & Indians magazine

In ART, Ceramics, Native American, Western, painting on October 30, 2009 at 5:27 pm

In the December issue of Cowboys & Indians:

magazine-cover-current-issue

gt-1209-004Artist Spotlight: Tara Roberts

Starting her art career relatively late in life has not slowed Roberts down. “If you love what you do and have a good heart, just do your best,” she advises. “So many people stop too soon. They just give up.” Roberts’ own perseverance has paid off.

Artist Spotlight: Jami Tobey gt-1209-01

Some have described Tobey’s work as loose and impressionistic, but Tobey sees structure and pattern in her landscape paintings, which evoke mosaics and stained glass.

gt-1209-0002Artist Spotlight: K. Henderson

K. Henderson does not set out to paint portraits. Rather, her figurative works are an attempt to capture emotions. “I’m trying to get some sort of reaction from the viewer,” Henderson says.

Recent Posts on adobeairstream.com

In ART, Art Criticism, Art Museum, Culture, Denver, Durango, Marfa, Museum, contemporary art on October 30, 2009 at 4:23 pm

Here are a few of the most recent articles I’ve written for adobeairstream.com. Click on the headline to link to the full article.

A Chicken Coop in Every Yard: Save Me the Chicken Neck BASELINE5

Sustainable living and art collide in Boulder where a cooperative group of art students under the guidance of visiting Dutch and Slovenian artists designed the “Chicken Shack Village.”

Are the chicken coops art?

One student added: “It doesn’t matter if its art, it’s the dialogue that’s important. The art will follow.”

fd_20patterson07Christoph Heinrich named Denver Art Museum Director: Succeeds Lewis Sharp

Heinrich was named assistant director in January and his Embrace! exhibition opens Nov. 14, featuring 17 artists from around the world who were invited to create site specific works that react to or embrace the Libeskind designed Hamilton building. Heinrich may be asking artist’s to embrace the angular building, but can we expect more dynamic programming in the future?

“We’re not competing,” he said. “We [DAM] don’t have to be cutting edge. We can be broader in our appeal.”

Heinrich also said DAM is committed to being an encyclopedic museum, and mentioned the Museum of Contemporary Art (MCA Denver), as if to suggest the cutting-edge programming belongs at the smaller museum of Denver whose simpler building, by architect David Adjaye, has proven a galvanizing space for public gatherings.

Heinrich’s apparent challenge is to determine what DAM has to offer that can be found nowhere else in the world. His Embrace! seems to be a step in that direction.

Art Shows in Review: Durango and Marfa Tom_Palmore_207

Critic Neal Brown writing in Frieze in 1999 crafted this phrase that applies to two art shows that recently crossed my desk and attention: “fetishistic attention to detail with grotesque error.” He was talking about J.D. Ingres, the French neoclassical painter, and how the level of meticulousness found, say, in Ingres’ Grand Odalisque, joined his work “spiritually” to current art practice. So have a look at these two: Tom Palmore at Sorrel Sky Gallery and Julie Speed at Galleri Urbane.

Judd-concrete Chinati: Judd’s Concrete’s Re open

“Society is basically not interested in art,” Donald Judd said. “Art has a purpose of its own.”

That purpose can be discovered in Marfa, Texas, where this weekend marks the annual celebration of Judd and lectures about Judd’s re-opened works in concrete that will be live-streamed from the Chinati website.  Marfa, a remote town, with a rundown ex-Army base and old Army barracks, specifically, is where Judd installed 100 sculptures in aluminum and 15 works in concrete. He transformed Fort Marfa into a seminal location to display his own art and building-sized installations by his friends and admired peers including Dan Flavin, John Chamberlain, Carl Andre, Ingolfur Arnarsson, Roni Horn, Ilya Kabakov, Richard Long, Claes Oldenburg and Coosje van Bruggen, David Rabinowitch and John Wesley.

Viewing the concrete works from a distance is not the same as wandering along a path near them, meandering in between them, looking through them at the way the sky is framed. Feeling the dry heat of the desert plain, the dust kicking up around your feet, listening to the cacophony of grasshoppers and reaching out to touch the stiff golden grass that reaches nearly thigh high, ears attuned for the sound of rattle snakes coiled up and hiding in the cool shadows cast by the objects as one experiences time and space from a new perspective.

“Denver’s First Perplexing Biennial” goes viral

In ART, Art Criticism, Art Fair, Art Museum, Biennial, Culture, Denver, Design, art market, arts journalism on October 21, 2009 at 1:08 pm

An investigative article I wrote on Denver’s First Perplexing Biennial was published at adobeairstream.com on October 5. It was then picked up by Arts Journal on October 9, Artinfo on October 12, Artcyclopedia on October 9 and Cross Cut on October 13. Additionally it was included in the email newsletter weisslink on October 12.

This reprint is my favorite so far: ArtTattler has illustrated the article with fantastic images from other biennials. It was published on October 18.

Picture 1

The article also appeared this week on Saatchi online magazine.

Picture 2

Cowgirls Rule!

In ART, Fort Worth, Southwestern, Western on October 9, 2009 at 9:22 am

cgmuseumArtist cowgirls are on display at the Heart of the West exhibit at the National Cowgirl Museum and Hall of Fame in Fort Worth, Texas. The big gala reception and auction is happening October 16. The museum and hall of fame celebrate all things cowgirl. Being a Western native with roots in both Texas and Colorado (and pioneering roots at that!) I’ve come to realize that the spirit of the cowgirl lives on. Some of us may not wear hats and spurs (or even ride horses) but we are cowgirls nonetheless.

2009 Inductees include: sculptor, Deborah Copenhaver Fellows; barrel-racing guru Kay Whitaker Young; Harvey house architect Mary Jane Colter; and rancher Cornelia Wadsworth Ritchie. (Kudos to her for putting the entire JA Ranch holdings near Larkspur, Colorado in a conservation easement.)

Former first lady Laura Bush will receive the Gloria Lupton Tennison Pioneer Award for her dedication to the cause of literacy.

The Heart of the West exhibit includes 42 artists. Here’s a few of my favorites:

  • Denver gal Carrie  Fell whom I’ve watched blossom from her WestFest days in Copper Mountain to gallery staple.
  • Internationally acclaimed pueblo potter Tammy Garcia who has taken ancient symbols and ideas and made them fully contemporary in a way no one else had dared ventured. The only Native American woman included.
  • The iconic Glenna Goodacre, a Colorado College graduate.
  • Sculptor Veryl Goodnight who recently relocated to Mancos, Colorado (close enough in SW Colorado to call her a neighbor!)
  • Donna Howell Sickles whose work just makes me smile.
  • Louisa McElwain, one of my most favorite interviews for Cowboys & Indians magazine. I love her bold use of color. And she lives just north of Santa Fe and loves to paint Ghost Ranch one of my favorite places.
  • New Mexico based sculptor Star Liana York who is just one of the nicest people I’ve ever met. Charming, beautiful, down-to-earth.

Judith Dobrzynski mentions a few of these and some great historic painters on her blog Real Clear Arts.

The NEA was wrong, but so are the Republicans. Let’s move on.

In ART on October 6, 2009 at 10:37 am

The LA Times seems to be the only paper willing to report on and question the latest Republican attempt to start a culture war.

CultureMonster the LA Times blog posted this story on NEA Chairman Rocco Landesman’s response to the ten Republican Senators who questioned the legality of an August 10 conference call that cost NEA Communications Director Yosi Sergant his job.

Yosi Hope

On September 25, Christopher Knight in this post, pointed out how trivial and lame this attempt by Republicans happens to be by pointing out the role Senator Cornyn played during the 2006 firing of David Iglesias, former U.S. Attorney for New Mexico.

I agree wholeheartedly with Knight that Cornyn is a hypocrit and that firing U.S. Attorney’s for partisan reasons is deplorable and reprehensible. But, I have a problem with what Sergant did at the NEA and the assumption he made that everyone on that August conference call was a supporter of the president. Not all creative people are democrats, left-leaning or liberal. Shock and awe for some of you I realize.

In case you don’t know what I’m talking about on August 10, Michael Skolnik (political director for hip hop mogul Russell Simmons) brought together a bunch of artists, media, arts organizations and the NEA (National Endowment for the Arts) and the Corporation for National and Community Service, another federal agency for a call to see how artists and creatives could get involved in volunteering. The conversation was recorded and written about by conservative blogger and supposed filmmaker Patrick Courreilache here. And yes, Courreilache even talked about this to conservative wack job Glenn Beck who launched a campaign against Sergant and the NEA.

On September 22, the NEA released a statement concerning the conference call “to introduce members of the arts community to United We Serve and provide them with information on how the Corporation for National and Community Service can assist groups interested in sponsoring service projects or having their members volunteer on other projects.”

Basically, yes, that was the case. But Yosi Sergant, supposedly without the approval of acting NEA Chairwoman Patrice Walker Powell, said a little too much in his enthusiasm.

Here are some snippets of what Sergant said on the tape:

  • What we’re asking is for you to take—between now and September 11 an action. What it looks like is completely up to you. We want you in the—we want you in the fight. We want you to work with us. …The corporation for national service is available to all of you to turn on your community, to act as the message spreaders for this program.

  • Let’s raise the visibility for the president’s call so the people can see it across the country.

  • This is the first telephone call of a brand new conversation. We are just now learning how to really bring this community together to speak with the government. What that looks like legally, we’re still trying to figure out the laws of putting Government web sites on Facebook and the use of Twitter.

  • This is all being sorted out. We are participating in history as it’s being made. So bear with us as we learn the language so that we can speak to each other safely and we can really work together and move the needle and to get stuff done.

  • Pick—I would encourage you to pick something, whether it’s healthcare, education, the environment, you know, there’s four key areas that the corporation has identified as the areas of service.

  • My ask would be to apply artistic, you know, your artistic creative communities’

Sen. Mike Enzi of Wyoming wrote a letter suggesting the call  “may have violated the Hatch Act, appropriations restrictions on spending funds for such purposes and/or are in direct contradiction with the NEAs mission under its authorizing statute.”

Yes, Sen. Enzi, we know you’d love nothing more than to rescind the authorizing statute for the NEA and reduce all funding. But according to Melanie Sloan, executive director of  Citizens for Responsibiility and Ethics in Washington (CREW), the call was “disturbing,” but not illegal.

“Government agencies are not supposed to be engaged in political activities,” Sloan said. “Here, because they didn’t veer off into ‘This is about the election,’ where you’d get into violations of the Hatch Act, it’s not illegal. But it doesn’t look good — it looks terrible. It’s inappropriate.”

Recording the phone call, however, may have been illegal, particularly in California where Courreilache is based and from where many participants joined the call. Huffpo blogger Lisa Derrick writes here.

So, Courreilache may have violated the law and broke a story about the NEA recommending and suggesting the use of art as propaganda for the president’s initiatives. The NEA has managed to give the right wing more fuel for another culture war. And really, the entire call was completely unnecessary.

Many artists, musicians, writers, actors are supporters of the president. Many more are non-partisan activists utilizing their creativity to shine a light on what they deem is wrong, unjust, unethical, or immoral. We don’t need the NEA to tell us how to get involved or act. Nobody told Shepherd Fairey what to do when he created his HOPE poster and nobody told Yosi Sergant what to do when he came up with the idea for the Manifest Hope galleries displayed during the DNC in Denver and the inauguration in DC.

Artists will take up the issues on their own–healthcare, green energy, sustainability, the role of women, poverty. Why did Sergant even think this was a good idea?

That said, the conservatives are going on and on about this when we have tax dollars being sent to religious organizations and churches telling people how to vote, which is a huge ethical dilemma. The right may feel the need to tell their followers sitting in a church pew what to do and for whom to vote, but  the thing about most creatives is that they are not followers, they don’t fit into molds, they are non-conformists, they are free-spirits. They are going to do their own thing. Churchgoers may need politicians and their pastors, tithed to by PACs to tell them what to think, but artist’s don’t. We can figure it out.

And perhaps at the NEA, just like everywhere, more training is needed for employees to understand what’s right, what’s wrong and what’s deemed questionable. Sergant lost his job for doing something he believed in, it wasn’t illegal, but it gave the appearance of impropriety. Courreilache on the other hand may have violated wiretapping laws. He should be charged. His excuse that other media were on the line and probably taping is weak. One doesn’t tape without the verbal permission of the other parties. Nixon learned that lesson long ago.

The NEA was wrong. Yosi Sergant was fired. They’ve learned their lesson and Landesman said more training is coming. But the Republicans are making a big to do about nothing. The truth lies somewhere in between the extremes.

adobeairstream.com highlighted as an excellent project in NAJP Summit

In arts journalism on October 2, 2009 at 11:18 am

adobeairstream was highlighted as an excellent project by Doug McLennan during the NAJP Summit. Doug mentioned my name, for which I’m grateful, but the site is not me, in fact, the site is far more Ellen Berkovitch’s baby than mine. We had a similar idea, but she ran with it and invested in it! She found a wonderful web designer at Orphic and voila! (Oh, yes, it was that easy! If you don’t count the thousands of hours of unpaid time invested in creating this project!) Ellen is the visionary and creative director! She’s made it possible and we have a great team of writers and contributors! David D’Arcy, Groovey, Josephine White, Garth Clark, Conrad Skinner.

5 Finalist for NAJP Summit

In arts journalism on October 2, 2009 at 10:13 am

Outstanding examples of entrepreneurial cultural journalism
competing for $15,000 in prize money in today’s National Summit on Arts Journalism at USC.

The summit is streaming live at www.najp.org/summit and simulcast at 17 satellite locations around the world (listed below).

Of the 109 submissions to the open call for projects demonstrating entrepreneurial cultural journalism, ten examples will be highlighted with video presentations on the day of the summit. Five of these ten are finalists in a competition to find the best use of new technology in the exploration of arts journalism. Each of the finalists have already earned $2,000, and the first-, second- and third-prize winners will split $15,000 in prize money courtesy of the William and Flora Hewlett Foundation.

Online voting for the winning project will take place October 2–23 by members of the NAJP and alumni of the four NEA Arts Journalism Institutes fellowship programs –American University (visual arts), Columbia University (classical music and opera), the American Dance Festival at Duke University (dance) and USC Annenberg School for Communication (theater and musical theater). The winners will be announced October 30.

Adobeairstream.com submitted, but did not make the top ten, though we’ve heard from Doug McLennan that our proposal and site was well liked by the judges. Also, as a participant in the NEA International Arts Journalism Institute in the Visual Arts, I will be voting on the final projects.

The five finalists are:

1) Departures
Presented at the summit by Juan Devis, artist and producer
KCET, Los Angeles
Link: www.kcet.org/local/departures/la_river

Departures is an experiment in nonlinear community storytelling in the form of a multimedia Web site. The video is shot by KCET producers and students from partner schools in the neighborhoods, and users experience projects through multiple entry points and navigation pathways on the site. Departures suggests a different way of telling the stories of cultures that haven’t found a voice in traditional journalism. Artist Juan Devis has developed an interactive form of journalism that captures the diversity of life in neighborhoods.

2) Flavorpill
Presented at the summit by Mark Mangan, CEO
New York, San Francisco, Los Angeles, Miami, London, Chicago
Link: www.flavorpill.com

Flavorpill is a 21st-century version of the city guide, sorting through hundreds of events each week to make a case for the 25 events in each city its writers believe are worthy of attention. Flavorpill started as an e-mail publisher and has grown to thousands of subscribers and millions of dollars in annual revenues. Revenue comes from advertising, but Flavorpill has also developed an unusual business model allowing venues to set up their own pages on the Web site and write about their own events alongside the site’s own editorial staff.

3) FLYPMedia
Presented at the summit by Jim Gaines, editor-in-chief
New York
Link: www.flypmedia.com

FLYP is an independent media startup trying to reinvent the magazine online, not just by posting print/image/sound/video content to a Web site, but by rethinking what digital storytelling and the next-generation magazine might become. FLYP’s origins are anchored in the physicality of the traditional magazine. Text is important, but image, sound, and video also take turns in the lead. FLYP demonstrates that a general-culture publication can be a compelling window on culture. Its editor, Jim Gaines, was formerly chief editor of People, Life and Time magazines.

4) Glasstire
Presented at the summit by Rainey Knudson, founder
Houston
Link: www.glasstire.com

Glasstire is a Web site about visual art in Texas. The site is not a comprehensive report on the visual arts, but as critics have always done, Glasstire argues for a way of seeing art in a region that is different from art made elsewhere. Glasstire is almost nine years old, operates as a nonprofit, and has developed a core of 35-40 writers around the state, all of whom are paid for their work. Knudson says the site is stable and self-sustaining, with traffic continuing to increase. This is a model for arts journalism that should be replicated in other states.

5) San Francisco Classical Voice
Presented at the summit by Patty Gessner, executive producer
San Francisco
Link: www.sfcv.org

San Francisco Classical Voice was created in 1998 when prominent classical music journalist Robert Commanday feared that cutbacks in newspaper coverage would hurt the local classical music scene. His Web site offering comprehensive local coverage has become the go-to resource for finding out about artists, organizations and events. The site’s professional writers include a mix of expert academics, journalists and artists. The site is a nonprofit, self-sustained by local donations from foundations, corporations and individuals, and by selling ads and memberships.

I’ll be streaming the NAJP Summit on Arts Journalism

In ART on October 2, 2009 at 9:19 am